
The United Church of Canada has unveiled its version of Leonardo da Vinci's The Last Supper, featuring an entirely new cast of characters.
The piece, which marked not only Holy Thursday but the church's 100th anniversary, was created to "challenge tradition depictions" of the iconic scene, and emphasizes "support for 2SLGBTQIA+ rights, Reconciliation with Indigenous Peoples, Racial Equity, Disability Justice, and engagement in struggles for peace and human rights."
According to the United Church of Canada, the image "brings together people from various walks of life, each representing the diverse community they embrace" and "serves as a bold testament to the Church's vision — a table where differences are honoured, diversity is celebrated, and faith is lived through shared commitment to equity and belonging."
Notably absent is Jesus Christ. The church argued that rather than have him at the centre of the table as per the original, "Christ's presence is embodied through the gathered community, underscoring the belief that faith is expressed through justice, compassion, and service."
Among those featured in his and his apostles' place are "spiritual drag clown" and transgender person King Julez, and activist Michiko Bown-Kai. They donned their drag makeup and keffiyeh, respectively.
Also included are female and "gender-diverse" pastors, Indigenous leaders, a blind woman, and a woman advocating for Canada's neurodivergent community.
The United Church of Canada has long strayed from tradition. Members are not even required to "adhere to any particular creed or formulation of doctrine."